Benjamin Jacobs
Architect, Designer, Musician
Contact
Nestled Performances
9.2024 – 5.2025
“puppet” for VMAG SS’25Editorial Design
1.2025 – 4.2025
The Red Hook WayStudio; Urban Design
9.2024 – 12.2024
“SKATE” for VMAG FW’24
Editorial Design
9.2024 – 11.2024
“STAINED” for VMAG FW’24Editorial Design
9.2024 – 11.2024
Library of Communication Studio; Re-Use
1.2024 – 5.2024
Walk, Art & Apartments Studio; Multi-family
1.2023 – 5.2023
Poster StudiesPersonal; Graphic Design
1.2022 – 10.2022
c. 8.2025
The thesis proposes redeveloping the Washington DC Armory into a music center focused on substantiating local music growth.
The development will help permeate musical education and evolution throughout the city, at a time when the presence of the arts is most at risk in Washington, DC.
Musical developments occur in three phases, and each interior structure has a unique formal process for each phase and its identity.The urban fabric decomposes at the site of the RFK Campus, which will be integrated into future developments.
The DC Armory drill field is a site rich with entertainment and musical history, and its location is perfect for sheltering multiple programs. The three programs are housed with unique formal qualities that materialize their intentions. Their chronological sequence encourages visitors to learn, not only about the music of the past, present, and future, but also about themselves.
Viewing the practice rooms from the catwalk.
Inside one of the many listening rooms.
Outside the practice, listening, exhibition, and performance rooms, exists a strategic system of catwalks. Their presence creates a feeling of being part of the building’s life cycle, while also providing a multitude of possibilities for interactions and performance.
There can be small bands scattered amongst the ground floor; A film may be shown inside the shell of the second and third floors; The walls may open up and allow onlookers to become active audience members of the performance hall. Deregulating these experiences makes it easier for more people to be involved in the world of music.
The navigation and aggregation collaborate, creating seamless transitions and movement throughout the hub.There can be small bands scattered amongst the ground floor; A film may be shown inside the shell of the second and third floors; The walls may open up and allow onlookers to become active audience members of the performance hall. Deregulating these experiences makes it easier for more people to be involved in the world of music.
Floor 2
Ground Floor
Designed through precedent analysis, experiential tests, and iteration to create a space outside the bounds of time and genre.
Thesis led by Prof. Lucia Phinney.